Bibliografía

Abdel Malek, K. The Rhetoric of Violence: Arab-Jewish Encounters in contemporary Palestinian Literature and Film, New York: Palgrave Macmillan, 2005.

Abu Ghanimah, Hassan Filasteen wa al-‘Ayn al Sinama’iyyah [“Palestine in the Cinematic Eye”/“Palestina en el Ojo Cinemático”]. Damascus: Union of Arab Writers, 1981.

Abu Ghazaleh, Ilham “Gender in the Poetry of the Intifada” en Palestinian Women of Gaza and the West Bank, edited by S. Sabbagh. Bloomington, IL: Indiana University Press.

Abu-Lughod, Lila, et al. “The Adjacent Art of Doumentary: A Palestinian Film Festival”, American Anthropologist, March 2004, vol. 106, no. 1, pp. 150-160.

Alexander, Livia, “On the Right to Dream, Love and Be Free: an Interview with Michel Khleifi”, Middle East Report, 1996, vol. 26, no. 4, pp. 31-33.

_______. “Palestinians in Film: Representing and Being Represented in the Cinematic Struggle for National Identity”, Visual Anthropology, 1998, vol. 10, no. 2-4, pp. 319-33.

_______. “Let Me In, Let Me Out, Going Places and Going Back”, Framework 43 (2), pp. 157-177.

_______. “Is There a Palestinian Cinema? The National and Transnational in Palestinian Film Production” en R. Stain and T. Swedenburg (eds.), Palestine, Israel, and the Politics of Popular Culture, Durham: Duke University Press, pp. 150-72.

Arasoughly, Alia (ed.) Palestinian Women Filmmakers: Strategies of Representation, Conditions of Production. Shashat/Birzeit UP.

Armes, Roy Arab Filmmakers of the Middle East. A Dictionary, Bloomington and Indianapolis: Indiana University Press, 2010.

Asfour, Nana “Politics of Arab Cinema: Middle Eastern Filmmakers Face Up to Their Reality,” Cineaste, 2000, 26(I): pp. 46-48.

_______. “Reclaiming Palestine, One Film at a Time”, Cineaste, 2009, vol. 34, no. 3, pp. 18-24.

Auty, C., “Palestine,” Monthly Film Bulletin, 1982, vol. XLIX, no. 585, p. 240.

al-‘Awdat, Hussein, al-Sinama wa al-Qadiyya al-Filastiniyyah  [“Cinema and the Palestinian Issue”/“Cine y la Cuestión Palestina”], Damascus: al-Ahali Li al-Tabi’a wa al-Nashr wa al-Tawzi, 1987.

Al-Zobaidi, Kais Palestine in the Cinema, Beirut: Institute for Palestine Studies, 2006.

Al-Zobaidi, Sobhi “Memory, Documentary and History” en I. Nassar and R. Salti (eds.), I Would Have Smiled: Photographing the Palestinian Refugee Experience, Beirut: The Institute of Palestine Studies, pp. 101-19.

Ball, Anna “Between a Postcolonial Nation and Fantasies of the Feminine: The Contested Visions of Palestinian Cinema”, Camera Obscura 69, 2008,vol. 23, no. 3. Duke University Press.

Baecque, A.D., “Noce en Galilée,” Cahiers du Cinéma, 1987, no. 401, pp. 45-47.

Benedict, S. “Intervention Divine,” Cahiers du Cinema, 2002, no. 572, pp. 18-19.

Bosséno, C. and J. Roy Entretien avec Mustafa Abu ali, Chef de l’Unité Cinéma de l’O.L.P.,” Image et Son, 1980, no 350 pp. 89-92.

Bourlond, A. “A Cinema of Nowhere: an Interview with Elia Suleiman,” Journal of Palestine Studies, 2000, vol. 29, no. 2, pp. 95-101.

Bowman, Glenn “The Exilic Imagination: The Construction of the Landscape of Palestine from its Outside” en The Landscape of Palestine: equivocal poetry, I. Abu Lughod, R. Heacock and K. Nashaf (eds.), Birzeit: Birzeit Publications.

Bresheeth, Haim “The Nakba Projected: Recent Palestinian Cinema”, en Third Text, 2006, vol 20, no. 3/4. Mayo/Julio, pp. 499-509.

_______. “The Continuity of Trauma and Struggle: Recent Cinematic Representations of the Nakba,” in Nakba: Palestine, 1948, and the Claims of Memory, eds. Ahmed H. Sa’di and Lila Abu-Lugod, 2007, New York: Columbia University Press, pp. 161-187.

_______. “A Symphony of Absence: Borders and Liminality in Elia Suleiman’s Chronicle of a Disappearance”, Framework, 2002, vol. 43, no. 2, pp. 71-84.

_______. “Segell Ikhtifa/Chronicle of a Dissappearance,” in The Cinema of North Africa and the Middle East, ed. Gönül Donmetz-Colin, 2007, London: Wallflower Press, pp. 168-178.

Brooks, X. ‘We have no film industry because we have no country.’ Guardian, London (UK), 12 April 2006, p. 22.

Brumm, A.M., “Migration, Marginality and Cultural Conflict in Recent Israeli and Palestinian Cinema,” Canadian Review of Comparative Literature, 1996, vol. 23, no. 2, pp. 561-577.

Brumm, A.M. “Palestinian Film Week.” New Outlook, 1992, vol. 35, no. 5, p. 33.

Bruy, O.D., F. Garbarz, and Y. Tobin “Elia Suleiman” Positif, 2002, no. 500, pp. 202-209.

Carter, M. “The Palestinian” Majority Report, 1978, vol. 1. no. 14, p. 5.

Causo, M. “Haifa,” Cineforum, 1996, vol. XXXVI, no. 355, p. 27.

Chauvin, J.S., “Etat du Cinema Palestinien,” Cahiers du Cinéma, 2002, no. 572, p. 16-17.

Dabashi, Hamid, ed. Dreams of a Nation: On Palestinian Cinema, London: Verso, 2006.

_______. “Paradise Delayed: With Hany Abu-Assad in Palestine”. En Third Text, 2010, vol. 24, no. 1. Enero, pp. 11-23.

Di Giorgi, Sergio and Joan Rundo Una Terra Promessa dal Cinema: Appunti sul Nuovo Cinema Palestinese, Palermo: Edizioni Della Battaglia and La Luna nel Pozzo, 1998.

Dodd, P. “Homelands” Sight & Sound, 1992, vol. 1, no. 10, pp. 18-21.

Downing, T. Palestine on Film, London: Council for the Advancement of Arab British Understanding, 1979.

El-Hassan, Azza “When the Exiled Films Home” Framework, 2002, vol. XLIII, no. 2, pp. 64-70.

Fareed, Samir, al-Sinama al-Filastiniyah fi al-Ard al-Mutahllah [“Palestinian Cinema in The Occupied Territory”]. Cairo: The Higher General Comité to Culture, Horizons of Cinema Series, no. 3, 1997, pp. 21 ff.

Friedman, Yael Palestinian Filmmaking in Israel: Negotiating Conflicting Discourses, 2010. Tesis doctoral inédita de la Universidad de Westminster. http://westminsterresearch.wmin.ac.uk/9369/1/Yael_FRIEDMAN_2010.pdf

Fusco, C. “Allegories of Palestine: an Interview with Michel Khleifi,” Afterimage, 1988, no. 16, pp. 14-16.

Gertz, Nurith “Space and Gender in the New Israeli and Palestinian Cinema”, en Prooftexts, 2002, no. 22, pp. 157-185.

Gertz, Nurith, and George Khleifi Landscape in Mist: Space and Memory in Palestinian Cinema, Tel Aviv: Am Oved and the Open University 2005.

_______. “From Bleeding Memories to Fertile Memories”, Third Text, 2006, vol. 20, no. 3, pp.465-474.

_______. Palestinian Cinema: Landscape, Trauma and Memory. Edinburgh: Edinburgh University Press, 2008.

Ginsberg, Terri “Radical Rationalism as Cinema Aesthetics: The Palestinian-Israeli Conflict in North American Documentary and Experimental Film”, en Situations: Project of the Radical Imagination, 2011, no. 4.1. Otoño-Invierno, pp. 91-115.

_______. “Palestinian Women Filmmakers in the New World Diaspora”, en Arasoughly, Alia (ed.): Palestinian Women Filmmakers: Strategies of Representation, Conditions of Production, 2012, Shashat/Birzeit UP.

Goodfellow, M. “Festival Report: APalestinian Festival Collects Work by Directors Scattered Worldwide,” Sight & Sound, May 2004, vol. 14, no. 5, pp. 4-6.

Heijnen, W. “Palestina,” Skrien, 1978, nos. 76-77, pp. 52-53.

Hennebelle, Guy “Arab Cinema” MERIP Report, November 1976, no. 52, pp. 4-12.

_______. “The National Question in Palestinian Cinema,” Cinéaste, 1979, vol. 10, no. 1, p. 32.

Hennebelle, Guy and Janine Euvrard, eds. Israel Palestine: Que Peut le Cinema. Paris: Société Africaine d’Edition/L’Afrique Littéraire et Artistique 47, 1978.

Hennebelle, Guy and Khémais Khayati, eds. La Palestine et le Cinema, Paris: E.100, 1977.

Hillhauer, Rebecca “Palestine” in Encyclopedia of Arab Women Filmmakers, 2005, Cairo: American University in Cairo Press, pp. 196-243.

Ibrahim, Bashar al-Sinama al-Filastiniyyab fi al-Qarn al-‘Ishriyn (“Palestinian Cinema in the Twentieth Century”/”Cine Palestino en el Siglo Veinte”), Damascus: the National Organization for Cinema, the Syrian Ministry of Culture, 2001.

Indiana, G. “Elia Suleiman,” Film Comment, 2003, vol. 39, no. 1, pp. 28-352.

Joyard, O. “Dans l’oeil d’Elia Suleiman le Nomade,” Cahiers du Cinéma, 2002, vol. 572, pp. 12-16.

Joyard, O. “Chimères Humanitaires, ” Cahiers du Cinéma, p. 2001, no. 558, pp. 16-17.

Karmy, Boulos “Le cinéma palestinien: en attendant la fiction,” en Les cinémas arabes, ed. Mouny Berrah, Jacques Lévy and Claude-Michel Cluny, pp. 90-93. Paris : Éditions du Cerf/Institut du Monde Arabe/CinémAction 43, 1987.

Katunun, A. Srazajuscijsja kinematograf (“Notes on Palestinian documentary films”). Iskusstvo Kino, 1979, no. 11, pp. 151-161.

Kelly, R. and S.F. Said “Zero Gravity,” Sight & Sound, 2003, vol. XIII, no. 1, pp. 16-18, 42-43.

Khalaf, T., Dalil al-Film al-Filastini (1935-2000) [“Facts on Palestinian Film, 1935-2000”/”Hechos en el Cine Palestin, 1935-2000”], 2001, Doha: Arab Screen Independent Film Festival.

Khayati, Khémais “The Palestinian Cinema.” In Il Cinema dei Paesi Arabi, Quarta edizione / Arab Film Festival, 4th ed., 1997, Naples: Fondazione Labatorio Mediterraneo, pp. 71-79.

Khoury, Mounir A Cinematic Intifada: Palestinian Cinema and the Challenge to the Dominant Zionist Narrative, 2007, Tesis doctoral inédita. Universidad Carleton.

Krifat, Michel, “Gros Plan sur le Cinéma Palestinian, ” in Sixiéme Binnale des Cinémas Arabes à Paris, 2002, pp. 93-127, Paris: Institut du Monde Arabe, 2002.

Layoun, M.N. “A Guest at the Wedding: Honor, Memory, and (National) Desire in Michel Khleifi’s Wedding in Galilee,” in Between Women and Nation: Nationalisms, Transnational Feminisms, and the State, C. Kaplan, N. Alarcan, and M. Moallem, (eds.), 1999, Durham, NC: Duke University Press, pp. 92-107.

Masri, Mai and Jean Chamoun, “Contre la Guerre-Spectacle” (Interview with Hubert Corbin and Michèle Driguez) in Actes des 10e rencontre cinématographiques, Montpellier: Festival de Montpellier, 1998, pp 91-97,

Massad, Joseph (2008) ‘Resisting the Nakba’, Al-Ahram Weekly 897, 2008 (15–21 May). http:// weekly.ahram.org.eg/2008/897/op8.htm

_______. (2006) “The Weapon of Culture: Cinema in the Palestinian Liberation Struggle” en Hamid Dabashi (ed.), Dreams of a Nation. New York: Verso, pp. 32–44.

Morice, J., “Intervention Divine,” Beaux Arts Magazine, 2002, no. 221, p. 22.

Naaman, Dorit “Elusive Frontiers: Borders in Israeli and Palestinian Cinemas”, en Third Text, 2006, vol. 20, no. 3/4, pp. 511-521.

_______. “Unruly Daughters to Mother Nation: Palestinian and Israeli First-person Films”, en Hypathia, 2008, vol. 23, no. 2, Abril-Junio.

Naficy, H. “Palestinian Film Letters,” Critique, 1995, no. 7, pp. 53-61.

Nesselson, L. “Curfew,” Variety, 1994, vol. CCCLV, no. 3, p. 41.

Ostria, V. “Sur Tous les Fronts,” Cahiers du Cinéma, 1996, no. 501, p. 10.

Passevant, C. “Le Mariage de Rana,” Jeune Cinéma, 2002, no. 279, pp. 63-65.

Porton, Richard “Notes form the Palestinian Diaspora: An Interview with Elia Suleiman, ” Cinéaste, Summer 2003, vol. 28, no. 3, pp. 24-27.

Ramahi, Suyan “Cinéma Palestinien” in La Semaine du Cinéma Arabe, pp. 61-66, Paris: Institut du Monde arabe, 1987.

Rich, Rby “Divine Comedy: EliaSuleiman’s Surreal Slapstick Fights Brutality with Imagination,” San Francisco Bay Guardian, March 26, 2003.

Rosen, Miriam. “Wedding in Galilee,” Cinéaste, 1988, vol. 16, no. 4, pp. 50-51.

Rubenstein, L. “We Are the Palestinian People,” Cinéaste, 1974, vol. 6, no. 3, p. 35.

Sabbagh, Karl “Palestinian Landscape in Films and Documentaries” en The Landscape of Palestine: equivocal poetry, 1999, Birzeit: Birzeit Publications.

Sabouraud, F. “Noce en Galilee,” Cahiers du Cinéma, 1987, no. 397, p. 50.

Sabouraud, Frédéric y Serge Toubiana “La Force du Faible,” Cahiers du Cinéma, 1987 (401): p. iii.

Said, S.F., “Zero Gravity” Sight & Sound, 2003, vol. 13, no. 1, pp. 16-20.

Saloul, Ihab “Performative Narrativity: Palestinian Identity and the Performance of Catastrophe”, Cultural Analysis, 2008, no. 7, pp. 5-39.

Salti, Rasha (2010): “From Resistance and Bearing Witness to the Power of the Fantastical: Icons and Symbols in Palestinian Poetry and Cinema”, Third Text, vol. 24, no. 1, Enero, pp. 39-52.

Shamit, Walid and Guy Hennebelle, Filastin fi al-Sinama. Paris: al-Fajr, 1980.

Shinar, Dov. “Art and Communications in the West Bank: Visual Dimensions of Palestinian Nation Building”, Studies in Visual Communication, 1984, vol. 10, no.2, pp. 2-15.

Shlegel, S.J. “Film’t kato or’zhie I sredstvo za samoutv’ rzhdavane” (Report on the 3rd International Palestinian film festival, held in Baghdad 18-25 March 1978), Kinoizkustvo, 1978, vol. XXXIII, no. 7, pp. 68-70.

Shmeit, Walid and Guy Hennebelle’s, Filasteen fi al-Sinama [“Palestine and Cinema”/“Palestina y Cine”], Beirut and Paris: al-Fajr, 1980.

Shohat, Ella “Palestinian Wave in Recent Israeli Cinema,” Middle East Report, September-October 1988, no. 154, pp. 44-46.

_______. “Anomalies of the National: Representing Israel/Palestine,” Wide Angle, 1989, vol. XI, no. 3, pp. 33-41.

_______. “Post-Third Worldist Culture: Gender, Nation, and Diaspora in Middle Eastern Film/Video” en The Cinema of Displacement: Middle Eastern Identities in Transition, J. Friedlander (ed.), 1995, Los Angeles: UCLA Center for Near Eastern Studies.

Strauss, Frédéric “Cinéma Palestinien: le Processus de Création,” Cahiers du Cinéma, 1997, no. 514, pp. 54-58.

Suleiman, E. and H. Frappat “Illusions Nécessaires,” Cahiers du Cinéma, 2001, no. 560, pp. 54-56.

Suleiman, Elia “A Cinema of Nowhere,” Journal of Palestine Studies, Winter 2000, vol. 29, no. 2, pp. 95-101.

Tawil-Souri, Helga “Coming Into Being and Flowing Into Exile: History and Trends in Palestinian Film-Making’, Nebula , 2005, vol. 2, no. 2, pp. 113–40.

_______. “The Necessary Politics of Palestinian Cultural Studies”, en Sabri, Tarik (ed.): Arab Cultural Studies: Mapping the Field, 2011, I.B. Tauris.

Thoraval, Yves, “Palestine: Images d’une Nation Errante,” in Les Écrans du Croissant Fertile, 2002, Paris: Atlantica / Séguier, pp. 59-80,

Thouard, Sylvie, ed. “Palestine-Israel—Territoires Cinématographiques,” La Revue Documentaire, 2005,  vol. 19-29, pp. 5-124.

Warshel, Yael ‘It’s All About “Tom and Jerry”, Amr Khaled and “Iqra”, Not Hamas’ Mickey Mouse: Palestinian Children’s Television Viewing Habits and Their Parents’ Related Preferences’, Paper Presented at Middle East Studies Association, 2008 (24 November), Washington, DC.